Compression is one of the harder concepts to grasp when it comes to music production. When I was first learning, I found it an overwhelming to go through so many tutorials that either didn’t show practical use of compression or didn’t explain why you’d do it. So we’re going to start from the very begining and keep moving onward from there.
Tag Archives: remix
Life as a Freelance Musician Part 12: Backup Plans and Perseverance
Making it as a freelancer means you’re going to need to strike a balance between doing what you’re passionate about and still having food to eat and a place to live. It can be hard to keep this balance, but since few of us have the option of throwing caution to the wind, here’s a few tips on staying afloat.
Still In School? Still at Home?
If you’re young and still living at home, now is the time to hone your musical skills. I mean, how much time does high school or college really require from you? The fact that you don’t have to pay rent and don’t have multiple things competing for your attention means that a summer locked in your room with your instruments can put you far ahead of your peers or those who are getting a late start. You just have to have the discipline to treat it like it’s the first steps of your future career and not just a hobby.
Backup Plans and Non Artistic Work
It’s definitely worth having something to fall back on if things don’t go so great as a musician or freelance artist. I’m a firm believer that having several plans will help lower your stress and help you enjoy your creative outlets more than hoping every day that things will go perfectly.
Here’s a few sites you can find additional work on:
eLance – You can find part time/full time work that requires nothing but an internet connection and a decent computer in almost any field on eLance. Don’t limit yourself to just audio work, you can find easy article writing, data entry, QA jobs with little or no experience, you can also make good money translating (if you know more than one language) and even doing boring stuff like sending emails.
Textbroker – As I mentioned in the “first year as a freelancer” article, my original backup plan was writing for Textbroker and other sites like Content Authority and iWriter. There’s a huge need for writers and although the topics aren’t always super exciting, you might find that its another sort of creative outlet you can get paid for. You can work as much or as little as you want with no penalties, so it’s a perfect “fill in the blanks” style of work.
SoloGig.com – Another great place to find stuff to fill your pockets while still leaving you time to pursue your passions.
Those with a background in programming, web design, graphic design and other computer-related fields will have few problems finding freelancing work.
Sticking To It
Not every freelance job is going to be your dream project working for your dream company’s greatest game of all time. You can find tons of work doing boring stuff like editing podcasts, cleaning up audio files and recordings. Don’t be afraid of this work, since many of those skills come in handy later on. For example, learning how to do noise cancellation and removing hiss from recordings its not very exciting, but you might need that skill one day when you are using a dirty sample or trying to clean up a certain irritating frequency from a synthesizer.
A famous American writer William James said, “If you care enough for a result, you will most certainly attain it.” Take that attitude toward your music, don’t be afraid to put in the annoying legwork and you will be able to get your sounds out there.
Next Up:
-Some FAQs Answered
-Boring Accounting and Stuff
GameChops announces “Club Needlemouse” Sonic Tribute Album
I’m very excited to announce the upcoming release of the latest album from my label GameChops, Club Needlemouse. Titled after the code-name for Sonic the Hedgehog back in his early development ( Mr. Needlemouse ), this album takes inspiration from games throughout the Sonic series. It’s created by italian producer RobKTA (Pronouced Rob kay-tee-aee), and it features live instrumentation alongside dance music production.
What’s extra exciting about this album is that it’s done in the style of 90s club and house music. Very different from some of the other GameChops releases, that have gained popularity from a modern EDM sound, like Triforce of Bass and Trash FM.
I think this departure to a different style of dance music is a welcome one, and a sound I personally enjoy. I could listen to this album on repeat for days… it’s being mastered by bLiNd and myself. The mixes feel exciting and fresh while keeping with a more classic aesthetic. I’m particularly happy to hear some tunes from the early Sega Genesis Sonic games re-done in the electronic style of that time. Very cool.
Here’s a youtube trailer I put together featuring a mashup I did of one song and the classic vocal line from Stardust’s “Music Sounds Better With You” Just goes to show you how true these mixes are to the classic house sound. Club Needlemouse is out on GameChops on October 13th 2013.
The Colloquial Remix Naming Convention: How to Title and Tag Your Remix
Over the years of my DJing career I’ve seen a hundred different ways of tagging and titling remixes. Some distinct trends in naming and tagging have emerged thanks to the popularity of remixing and posting music online. In this post I’ll outline the way I label my tracks, and distinguish between some of the common remix types.
THE COLLOQUIAL REMIX NAMING CONVENTION
Original Artist – Original Title ft. Featured Artist (Remixer Name RemixTitle Remix Type)
Example: Zedd – Clarity ft. Foxes (Balloonbear Remix) (Dj CUTMAN Edit)
Wow, that’s a lot of info. This is all typically stored in an audio files title tag, while the rest of the MP3 tags are optional. Let’s go over what all these elements mean:
Original Artist – As you might have gathered, this is the name of the artist who produced or released the original song the remix is based off of. This is not the name of the remixer.
Original Title – The name of the original song the remix is based off of.
ft. – Optional, short for “featuring”, used for included a separate artist who significantly contributed to the original song, like a guest vocalist. Occasionally appears as “feat.” or “featuring.” This field should only be present if it exists in the original song title.
Featured Artist – Optional, the name of the featured artist, if any.
Remixer Name – The name of the producer or DJ who created the remix.
Remix Title – Optional, a place indicate genre or project title for the remix. This remix title by Electric Children is ridiculous and also amazing.
Remix Type – Typically, this last part of the title tag is simply the word “Remix”, but there are many different kinds of remixes, so I will briefly overview some of the most common kinds of remixes
- Remix – The catch-all term. Years ago this word meant an audio engineer literally re-mixed the song’s original multitrack recording (known as “stems”). Today, a remix refers to any song that contains a sample or direct reference of another song. Sometimes this is created from the song’s stems, other times just the vocal track. If no samples or stems are used, it is not technically a remix, but a cover song, but sometimes these are still referred to as Remixes for marketing purposes.
- Bootleg – An unofficial remix created by sampling an MP3 or audio file of the entire song. Bootlegs are not created with stems.
- Edit / Fix – An Edit or Fix is remix or bootleg that makes only minor adjustments to the original song. Changing a drum pattern, equalization, tempo, or the song’s arrangement all constitutes an edit. Edits are commonly created by DJs who would like to use a song in their sets, but need to make adjustments to fit the format of their show.
- ReEdit / ReFix – A ReEdit or ReFix is an Edit or Fix of another producers Edit, Fix or Bootleg.
Something I missed? Know a better way to title remixes? Let us know in the comments!