Tag Archives: 16bit

Storm Blooper – Jawn-Dis

a2062488649_10The debute EP from Philadelphia chiptune musician Storm Blooper is here. Jawn-Dis is five tracks written with LSDJ for the Nintendo Gameboy. Two tracks feature “2xLSDJ”, two gameboys synced running their own copies of the software.

The Nintendo Gameboy has four distinct sound channels, two Pulse channels for melody, one 4-bit sample channel known as WAV, and one for Noise sounds like hihats and cymbals. By running 2xLSDJ, a song can be expanded to 8 channels, something Storm Blooper does remarkably well.

Stream and Download Jawn-Dis from 8static‘s bandcamp page now. Follow Storm Blooper on Facebook and Twitter, and support a ChipMusician today!

Of Atoms and Stardust (Remix) by Auxcide ~ A Lost in the Music Review

TC

Compilation albums rock. Through them, you gain exposure to other musicians and genre’s that you may not have heard of. OCReMix is wonderful at that as I have discovered several different genres and artist through them. It is because of OCReMix I have discovered my love for rock game covers, as well as classical piano work. Another example of a great compilation album is the remix version of one of Auxcide’s earlier albums, Of Atoms and Stardust, which I will be looking at today.

Before getting into the review itself, I would like to first commend Auxcide in using a Gameboy while making the album. Using a 20 some odd year old console to make music, and make it sound good is quite a talent, and this isn’t just limited to Auxcide. There are plenty of artists out there who use the Gameboy as an instrument which gives the old brick a new lease on life. I commend these artists for utilizing an important piece of gaming history in new ways.

Reading up on Of Atoms and Stardust, I can appreciate the love and kindness that went into these remixes. The performers here didn’t just remix the songs for fun, they did it to show appreciation to Auxcide’s first album, which is an example of how close knit the indie music scene can be.

So how is this album? It is a solid remix project. The artists keep it safe which can be a mixed blessing. They keep the music simple, but it lacks innovation. I do believe they didn’t try to innovate because they wouldn’t want to overshadow Auxcide’s original album, while commendable, does in the end make it sound somewhat average. Don’t get em wrong, the album is great, but it is also sadly predictable.

I never had a chance to listen to the original Of Atoms and Stardust as I came across Auxcide through word of mouth, but listening to this remix album makes me want to listen to the original. Also, it is because of this remix album that I would like to listen to the other chiptune artists on this album and check out their work.

Should you purchase this album? Even though they played it safe, I would still say yes as the album exposes you to new chip artists. These guys are good, and if they start experimenting more, then they could be great.

You can find Of Atoms and Stardust (Remix) on Auxcide’s Bandcamp page.

This is Daimo Mac and I am lost in the music.

Chema64 – Zapotecno

Chiptune’s ‘official’ Mexican exporter, Chema64, has returned with a new collection of tracks spanning four years and four consoles. Released on his own label, 56kbps Records, Chema64’s infectious jams are sure to remind the world that, along with Pulselooper and Chilean Analog, South America should not be underestimated as a producer of chiptune. One thing ‘Zapotecno’ does well is traverse genres. Tracks ‘Machines of Loving Grace’ and ‘Fin del Mundo del Fin’ both contain nods at metal a la 90s VGM faux-thrash (think Duke Nukem 3D’s soundtrack). Elsewhere, album closer, ‘Quetzalli’, has a euphoric Saturday Morning theme tune pop atmosphere, with the accompanying hook-laden melodies lodged within its crevasses. The apex of the release really does come past the mid-point, however, and to be honest if the first four tracks had been cut the five remaining would have created a far more cohesive and powerful statement. The sounds present within ‘Dubtrip’ and ‘Featherblade’ are one of a kind, in fact the horn-like glissando harmonies on the climax of the latter sent goosebumps shooting up my arm. The spaced out atmosphere and throttling basslines of ‘Datavoid’ created a nice chunk of variation, and ‘Quetzalli’ has quite possibly one of the greatest selections of melodies to be released this year. Whilst on the first few listens the sometimes repetitive and often hap-hazard sounding melodies might deter future listens, I would implore you to persevere. Unlike the adrenaline ladled ‘unce’ of most of his contemporaries, Chema64’s real strengths lie in his understated melodic hooks. What on first listens might appear like a jumble of erratic notes will quickly become nine tracks of greatly varying character and undeniable brilliance. So, with the amateurish tones of ‘BROWNWAVE’ and dud melodies in ‘Megameng II’ aside, this release is fantastic. Given the time, ‘Zapotecno’ will likely become a mainstay in your listening repertoire, and such a unique one at that. If this is the level of quality produced elsewhere in South America, the rest of the world should definitely take note.

Grab the release here.

Written by Andrew Kilpatrick for his blog The Waveform Generators.

Piko Piko Detroit Releases The Midwest Compilation

Here's the gorgeous hard copy version of the Piko Piko Compilation.
Here’s the gorgeous hard copy version of the Piko Piko Compilation.

Piko Piko Detroit is a net label run by Pikoboy and Snesei, two hard-working musicians and fans of VGM and chiptune. These two guys have pretty much have single-highhandedly created an active and exciting chiptune scene in Detroit. They recently put out a big call for all midwest chip musicians to join forces and create a compilation of epic video game tracks representing the region. The Piko Piko Midwest Compilation is available here for your download.  Here’s a quick review of what to expect in this massive 49-track album!

There is a lot of variety on this album. I can’t even begin to explain the differnces in styles and music. Tracks range from straight-up LSDj tracks to remixed tracks. Both of the Piko Piko founders contribute totally awesome tracks, SNESei’s track, Virtual Epilepsy is a great dance track that keeps your head moving. Pikoboy’s track, The Truth has some awesome effects-laden vocals that will get stuck in your head. I also really enjoyed Saskroch’s track Found, with a lot of chip flavors and some dynamic changes. Komissar’s Dynamite Girl is a standout Gameboy track as well. The two Sega Genesis FM synthesis tracks by Plants>Humans and Diode Milliampere also stand out; you’ll swear its a track from Sonic when those first drum of Plant>Human’s notes hit.

Some of the more blended chiptune fusion tracks also add some variety. My Life Is Pixels track sort of reminds me of Snow Patrol mixed with some chiptune sounds. Happenstance’s track has a chill  Trentemøller-styled vibe that I can’t get enough of. Awkward Terrible’s rocking song, complete with vocals, is also a dynamic and exciting stand-out track. I really wish I had time to write something about every single track. There really isn’t a bad track on the disk. The straight-up hardware tracks are interesting, inventive and full of suprises and the fusion tracks mix things up in a good way. Check it out today!

Piko Piko isn’t done yet. In fact, they’re hosting a 2-day 8-bit festival in downtown Detroit at the end of the month. Detroit is where lots of underground music started and blew up (I mean, techno, for one!) It looks like it’s going to become more than a blip on the map of the chiptune scene too. Check out their upcoming events at pikopikodetroit.net!

 

Screen Shot 2013-05-03 at 2.36.44 PMBeatscribe is a full time indie composer, musician and writer. By day he creates soundtracks for various mobile gaming companies, by night creates megaman-inspired chiptunes, in the afternoons he drinks tea. Check out his latest releases, tutorials and retro ruminations at www.beatscribe.com.