This awesome video outlines the storyline to Final Fantasy XIII, to prepare gamers for the new title in the series, Lightning Returns, coming out on February 11th. It’s got to be the single coolest promotion video I’ve ever seen, the entire game is re-done in the style of Final Fantasy VI for SNES. Check out the video:
via Kotaku
You got to hand it to the innovative nature of chiptune musicians to continue to create new, awesome (and sometimes weird) ways to play their music.
NOTE! from New York City has created a new chiptune album that will play back on a Sega CD console. If you’re having trouble locating your old console, you can download Color Mechanica on Bandcamp, and the recordings sound awesome. The truly devoted can pick up the old sega console on ebay for between $50-$100 to get the true chipmusic experience.
Check out the trailer video below of the features included in the Sega CD version. Sweet visuals!
Stream the entire album via Bandcamp, and remember to support your local chipmusician!
Compilation albums rock. Through them, you gain exposure to other musicians and genre’s that you may not have heard of. OCReMix is wonderful at that as I have discovered several different genres and artist through them. It is because of OCReMix I have discovered my love for rock game covers, as well as classical piano work. Another example of a great compilation album is the remix version of one of Auxcide’s earlier albums, Of Atoms and Stardust, which I will be looking at today.
Before getting into the review itself, I would like to first commend Auxcide in using a Gameboy while making the album. Using a 20 some odd year old console to make music, and make it sound good is quite a talent, and this isn’t just limited to Auxcide. There are plenty of artists out there who use the Gameboy as an instrument which gives the old brick a new lease on life. I commend these artists for utilizing an important piece of gaming history in new ways.
Reading up on Of Atoms and Stardust, I can appreciate the love and kindness that went into these remixes. The performers here didn’t just remix the songs for fun, they did it to show appreciation to Auxcide’s first album, which is an example of how close knit the indie music scene can be.
So how is this album? It is a solid remix project. The artists keep it safe which can be a mixed blessing. They keep the music simple, but it lacks innovation. I do believe they didn’t try to innovate because they wouldn’t want to overshadow Auxcide’s original album, while commendable, does in the end make it sound somewhat average. Don’t get em wrong, the album is great, but it is also sadly predictable.
I never had a chance to listen to the original Of Atoms and Stardust as I came across Auxcide through word of mouth, but listening to this remix album makes me want to listen to the original. Also, it is because of this remix album that I would like to listen to the other chiptune artists on this album and check out their work.
Should you purchase this album? Even though they played it safe, I would still say yes as the album exposes you to new chip artists. These guys are good, and if they start experimenting more, then they could be great.
You can find Of Atoms and Stardust (Remix) on Auxcide’s Bandcamp page.
This is Daimo Mac and I am lost in the music.
Chiptune’s ‘official’ Mexican exporter, Chema64, has returned with a new collection of tracks spanning four years and four consoles. Released on his own label, 56kbps Records, Chema64’s infectious jams are sure to remind the world that, along with Pulselooper and Chilean Analog, South America should not be underestimated as a producer of chiptune. One thing ‘Zapotecno’ does well is traverse genres. Tracks ‘Machines of Loving Grace’ and ‘Fin del Mundo del Fin’ both contain nods at metal a la 90s VGM faux-thrash (think Duke Nukem 3D’s soundtrack). Elsewhere, album closer, ‘Quetzalli’, has a euphoric Saturday Morning theme tune pop atmosphere, with the accompanying hook-laden melodies lodged within its crevasses. The apex of the release really does come past the mid-point, however, and to be honest if the first four tracks had been cut the five remaining would have created a far more cohesive and powerful statement. The sounds present within ‘Dubtrip’ and ‘Featherblade’ are one of a kind, in fact the horn-like glissando harmonies on the climax of the latter sent goosebumps shooting up my arm. The spaced out atmosphere and throttling basslines of ‘Datavoid’ created a nice chunk of variation, and ‘Quetzalli’ has quite possibly one of the greatest selections of melodies to be released this year. Whilst on the first few listens the sometimes repetitive and often hap-hazard sounding melodies might deter future listens, I would implore you to persevere. Unlike the adrenaline ladled ‘unce’ of most of his contemporaries, Chema64’s real strengths lie in his understated melodic hooks. What on first listens might appear like a jumble of erratic notes will quickly become nine tracks of greatly varying character and undeniable brilliance. So, with the amateurish tones of ‘BROWNWAVE’ and dud melodies in ‘Megameng II’ aside, this release is fantastic. Given the time, ‘Zapotecno’ will likely become a mainstay in your listening repertoire, and such a unique one at that. If this is the level of quality produced elsewhere in South America, the rest of the world should definitely take note.
Grab the release here.
Written by Andrew Kilpatrick for his blog The Waveform Generators.