Composer for Street Fighter X MegaMan A_Rival has just released his full-length album TRUTHCANNON. This ten track chiptune / electrohouse album is concentrated was EDM bangers.
Track after track hit hard with polished production and inventive sound design. Tracks like Phoenix and OMF speak more to A_Rival’s chiptune influence and experience with game music, while tracks like DEAD are gritty and vicious dance music, with haunting melodies and screaming synth-work.
Three remixes push the album to 13 tracks, including GameChops artist bLiNd and chiptune legend Trash80.
For only $5, TRUTHCANNON is definitely worth picking up.
Anamanaguchi has certainly made a name for themselves in the world of chiptunes. I doubt many would argue that they are one of the biggest chiptune/rock bands out there. With their latest 22-song release, paid for by the fans themselves via Kickstarter and not involving any record label, Anamanaguchi is showing just how versatile and dynamic they really are.
If you’ve heard their previous releases, you’re familiar with their fun Weezeresque-rock + NES lead instrumental sound. It’s fun, upbeat and always full of suprises. The Scott Pilgrim Vs The World: The Game soundtrack expanded the pallete to using Gameboy sounds and a bit more “video game” styled songs.
However, this time around, on Endless Fantasy the guitars have taken the back seat for the first half of the album. You might be in for a shock at how danceable this album is. Live drums and guitars have been dialed down for great chiptune sounds and vocal samples that might remind you more of Daft Punk than Weezer. Tracks like Prom Night and Japan Air feature guest vocals and could easily be played on the radio next to the latest electro single. It might not be what everyone was expecting from them, but its hard to deny how great it all sounds.
And don’t worry, the guitars do make a come back on the second half. Spf 420 and the obvious Weezer-homage titles In the Basement and Space Wax America are classic Anamanaguchi goodness that will make you smile. Every track is full of suprises and you’ll surely find your own personal favorite amongst all the variety. This is their most professional sounding album to date, and I’d suspect any fan of VGM or Chiptune will find something they like here.
Chiptune’s ‘official’ Mexican exporter, Chema64, has returned with a new collection of tracks spanning four years and four consoles. Released on his own label, 56kbps Records, Chema64’s infectious jams are sure to remind the world that, along with Pulselooper and Chilean Analog, South America should not be underestimated as a producer of chiptune. One thing ‘Zapotecno’ does well is traverse genres. Tracks ‘Machines of Loving Grace’ and ‘Fin del Mundo del Fin’ both contain nods at metal a la 90s VGM faux-thrash (think Duke Nukem 3D’s soundtrack). Elsewhere, album closer, ‘Quetzalli’, has a euphoric Saturday Morning theme tune pop atmosphere, with the accompanying hook-laden melodies lodged within its crevasses. The apex of the release really does come past the mid-point, however, and to be honest if the first four tracks had been cut the five remaining would have created a far more cohesive and powerful statement. The sounds present within ‘Dubtrip’ and ‘Featherblade’ are one of a kind, in fact the horn-like glissando harmonies on the climax of the latter sent goosebumps shooting up my arm. The spaced out atmosphere and throttling basslines of ‘Datavoid’ created a nice chunk of variation, and ‘Quetzalli’ has quite possibly one of the greatest selections of melodies to be released this year. Whilst on the first few listens the sometimes repetitive and often hap-hazard sounding melodies might deter future listens, I would implore you to persevere. Unlike the adrenaline ladled ‘unce’ of most of his contemporaries, Chema64’s real strengths lie in his understated melodic hooks. What on first listens might appear like a jumble of erratic notes will quickly become nine tracks of greatly varying character and undeniable brilliance. So, with the amateurish tones of ‘BROWNWAVE’ and dud melodies in ‘Megameng II’ aside, this release is fantastic. Given the time, ‘Zapotecno’ will likely become a mainstay in your listening repertoire, and such a unique one at that. If this is the level of quality produced elsewhere in South America, the rest of the world should definitely take note.
This is an all-original album, designed to sound like a video game soundtrack. What started as only music quickly became a full expression of my love for the Pokémon franchise and what it meant to my childhood.
Chiptune’s ‘official’ Mexican exporter, 