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EVENTS, GAME MUSIC, GAMING, MUSIC, SHOWS

MAGFest Game Over Austin ROUNDUP!!!

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Last weekend a bunch of amazing MAGFestians (myself included) brought a magical slice of MAGFest to Austin, Texas. It was called MAGFest Game Over Austin AND IT WAS GOOD.
(actually, it was REALLY ZOMBOFURKIN AWESOME, but you get the point ;).
This is my firsthand account of the glorious madness that was this first mobile MAGshow. ENJOY. \m|♥|m/

The shindig started early for me, as I arrived at Red7 with the rest of Lords of Thunder to load in. We got that done, enjoyed some pizza & soda, I logged some time on the freeplay Turtles in Time arcade cab with fellow Thunder Lord Daniel Tidwell, got made-up for the show (hair, make-up, & kilt!!!), made sure merch was setup (i.e. watched the Ladies of Thunder [aka ChipMom & Jenja] make that happen), got destroyed in Mario Kart 64 by Tien from Gameover Videogames (altho I redeemed myself later in the night battling C~Money), and then got ready to catch THIS dude perform:

Dr. Awkward kicked the night off WITH A COLOSSAL BANG with his furiously delicious, cleverly constructed nerdcore rhymes. Honestly, I’d heard of the dude before this show, but hadn’t heard him. IT WAS A GORRAM TREAT. “Impostor” & “Geekquilibrium” were my personal favs, both for the hilarious lyrics & DAT 8BIT GOODNESS. If you haven’t checked him out yet, 
FIX THAT NOW.

And then it was TIME FOR THE THUNDER…

I guess it’s kinda unfair to write this one up since, yanno, I’m playing bass in the band. :3
AH WUTEHFURKEVAR HERE GOES NOTHING~ We came to Austin, we played our 2nd live show ever (1st was 2nd stage MAGFest 11), and we melted faces. In other words, SHIT WAS EPIC. 8) Debuted a new track from Bushido Blade 2 (the closer for our set), which ties as my personal fav with the Guilty Gear 2 jam. BUT MOST IMPORTANTLY, I finally got to wear my kilt on stage. AND IT FELT GOOD. ;3 Also, BEWARE RANDOM ATTACK OWLS~ ;)

Following our face-meltery was the debut of the all new Descendants of Erdrick line-up:

CONFESSION: I was probably both the most anxious & excited for this set out of ANYTHING happening that night (even our set!). Short backstory: DoE are a big part of what pulled me even deeper into the VGM scene, to the point that I’m now playing in a VGM band with some of the former members of DoE sharing the stage with current DoE. MINDSPLOSION. O.O
Much has happened since then, including this lineup change, and thus a bit of conflicted feels.

THIS SHOW COMPLETELY BLEW ANY & ALL OF THOSE FEELS AWAY & REPLACED THEM WITH GI-FURKIN-NORMOUS FEELS OF AWESOME!!!

The Lepre lead lineup & stylistic change were indeed different; as Lerabbit stated, more of an “RPG Adventure tribute band”, and with a slant more towards prog rock. Works INCREDIBLY WELL, as you should be able to tell from the video (and the crowd’s reaction in it). Seriously y’all, keep following this band. They’re just going to get better and better.

Speaking of following awesome people & bands, be sure to catch the previous DoE members & the THREE OTHER VGM ACTS that they’re now involved in: LoT, Gimmick!, & The Returners. Where there was one VGM band there are now four. GOTTA LOVE IT. ♥

And then… there was Megaran:

As always, Random aka Megaran brought it SOMETHING FIERCE. Honestly, I’ve seen him perform several times over the years, & at various different types & sizes of venues, but each show has always been consistent in the PURE EXCELLENCE factor. And I say this as, truthfully, not the biggest nerdcore fan! It’s quality nerdcore artists like Megaran, Doc Awk, Shaffer the Darklord, etc. that make me question that, however, as they get my head bobbin’, feet movin’, and face grinnin’!

Last but HOLY CRAP NOT LEAST are the furious force known as Urizen:

Urizen is another act that appeared at Game Over Austin that I’d heard of (& always awesome things!), but hadn’t witnessed in person yet. To sum up my first time experiencing them live: 

HOLY FUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUU~

Their mix of metal, chip/8bit/synthy goodness, and INSANE stage show (ZOMBOFURKIN ROBOT MONSTER STAGE BATTLE FINALE ZOMG~!!!) definitely made for an EXCELLENT headlining act. To top it off, their energy & stage presence were MONSTROUS, & crowd interactivity was AMAZEBALLS (can you say THE BEST group Colossus roar outside of MAGFest TO DATE???). Needless to say, I left the show A HUGE FAN. And upon coming home discovered that their frontman, Thomas Drinnen, had also made a Chipmusic version of their latest album titled 8-Bit Universe. THIS PLEASES ME GREATLY.

And now to round-up this round-up with this MAG Austin round-up video by Melissa Flores!

Aw man, watching this video fills me with SO many damn feels! WHAT A ZOMBOFURKIN’ GOOD TIME WE ALL HAD~!!! ^_^ And most importantly, MORE TO COME!!! \m/\m/

Again, SO VERY MUCH LOVE to everyone who was a part of this show. It was DAMN amazing and I’m incredibly proud to have been a part of it. Until the inevitable next time, my friends, upon which I will undoubtedly tell you to…

GET DAT ASS TO MAGFEST!!!!!

~Hoodie
\m|♥|m/

All full set videos provided by Robert Swackhamer of 8bitx.com.

MAGFEST

GAME MUSIC, GAMING, MUSIC, RETRO GAMES

Most Underrated NES/Gameboy Soundtracks

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The lists of the best NES and Gameboy soundtracks are filled with familiar hits from Megaman, Zelda and Metroid. But there were a lot of less-than-stellar games for these systems that had some killer music. Here’s some amazing 8-bit songs you might have never heard.

 

Journey To Sillius

 

 

Journey to Sillius was originally going to be a Terminator video game but somehow Sunsoft lost the liscence and slapped a generic Sci-Fi story on this super tough platform run-and-gun game. Sunsoft gets two games on the top of the list for the same reason: Killer bass! While the triangle wave bass sound is one of the defining sounds of the NES, it also lacks character and punch of more modern synthesizer basses. While the DPCM channel on the NES normally plays tiny drum samples, that’s not all it can do.

 

The composers of Journey To Sillius loaded up beefy synth samples and used the noise channel to make drums. That gives these songs a lot more punch than your standard NES song. The added static from these 1-bit crushed samples actually adds to the power of these tunes.

 

To be fair, this soundtrack has gotten some recognition, it breaks the top 100, 300 and even top 20 on some lists, but I think it should be much higher. Check out the mind-blowing echoing part around 2:12 too!

 

Gimmick!

 

Gimmick is another Sunsoft entry to the NES line of games from 1992. Its happy, bouncy tunes are propelled along by awesome slap bass and crunchy samples that set it apart from other NES songs with their subtle bass parts. This game has got to have the busiest DPCM channels of any game out there. If you listen carefully you’ll notice that in some songs drum samples are playing in between bass samples. The resulting full sound never got the recognition it deserverd, probably mostly due to the fact that the game came out so late in the NES’s development cycle.

 

M.C. Kids

 

 

An annoying thing from the 90’s was that there was a video game that game out for every product imaginable. Every Saturday morning cartoon, soda, action figure collection got their own second-rate NES game. McDonalds didn’t want to be left out so they released M.C. Kids. It was basically a Super Mario 3 clone and brought little innovation or excitement. It’s graphics were also pretty weak. All that said though, this track is one of the most catchy things I’ve heard on the NES. The way they use the triangle bass is just great! I am warning you right now, if you listen to this song more than twice, it will be in your head for weeks. You may even awake from a sudden daze sitting in McDonalds with a Big Mac in your hand and have no idea how you got there. True story.

 

Turok

 

The Turok franchise started up around the N64 days around 1997. The Gameboy games had some amazing music. This Asian-infused little groove is really great. It’s hard to imagine this song sounding any better with modern instrumentation.

 

Conquest of the Crystal Palace

Conquest of the Crystal Palace was a hard-as-Blaster-Master platformer filled with weird characters (Dogs wearing Samurai armor) and impossible jumps. It’s one of those games that’s hard even if you use save states to cheat! The first level, however, has some of the most memorable Asian-influenced music you’ll ever hear on the NES. It’s got some great drum work too.

 

 

S-11

Released by Sunsoft and Paragon 5 in 2001, S-11 boasts some of the most amazing music for the Gameboy Color. You’re ears will have a hard time accepting that you’re only listening to 4 simultaneous sounds here.

 

Uncle Fester’s Quest

This super whacky Adams Family game might not have been the best game ever, but it had some killer music. This track uses the sampled bass trick that Sunsoft later perfected. You gotta respect that gritty bass sound and head banging beat. It’s very hard to make anything that truly rocks on the NES but this hits the spot. The interior “3d” areas of the game also have some of the creepiest music you’ll ever hear. I remember being on the edge of my seat exploring dark empty hallways, expecting something to jump out at me.
This is by no means a complete list. Post in the comments the long-lost gems that I might have left out.

BeatScribeFaceBeatscribe is a full time indie composer, musician and writer. By day he creates soundtracks for various mobile gaming companies, by night creates megaman-inspired chiptunes, in the afternoons he drinks tea.  Check out his latest releases, tutorials and retro ruminations at www.beatscribe.com.
ALBUMS, CHIPTUNE, DANCE MUSIC, Features, FUSION, GAME MUSIC, MUSIC

GameChops releases it’s first compilation!

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GameChops: Game music record label
GameChops: Game Music Record Label compilation now available from music.gamechops.com

GameChops is an electronic game music record label; It’s first of its kind to release licensed video game remixes. There have been many websites and other sources of great video game remixes, but no organization dedicated to legally clearing game covers and directly supporting those who make them. That is, until now.

I started GameChops back in April of 2012, intending it to be a simple netlabel. But in August of 2012, our album The Triforce of Bass hit #1 on Bandcamp, and I realized that I could do more with this idea. Thanks to the awesome guys at Joypad Records in San Francisco, we were able to start clearing licenses for our remixes with the companies that made the original games. Now, in 2013, we’re making that our mission.

By clearing the rights, it allows us to post our tracks without fear copyright complaints on major music outlets like iTunes, Spotify and Amazon. Furthermore, it allows our remixes to be used in broadcast and syndication, which is impossible prior to clearing the rights. It’s a very exciting idea for me to think about a time when a game company like Capcom or Microsoft might reach out and request a remix for use in their game. In fact, it’s already happening.

This compilation is a collection of our favorite tracks that were produced in our first year, some of them unreleased until now! I hope it can help use raise a little money to help support our operation, but mostly I’d like this comp to exhibit the versatility and scope of video game remix artists. From Ben Briggs’ incredible fun dub take on Sonic the Hedgehog, to my remix of Halo 4 featuring MegaRan, the compilation spans 20 tracks and a myriad of genres.

Titled simply “Game Music Record Label” this album contains new tracks and last year’s favorites! To say Thank You for the support we’ve seen thus far, the album will be set to “Name-Your-Price” for the first week. Please contribute what you can, all proceeds go to cover licensing and supporting GameChops.

Long live #gamemusic!

EVENTS, GAME MUSIC, GAMING, MUSIC, SHOWS

MAGFest hits the road, baby!!! 8)

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The only legitimate gripes that I’ve ever heard about MAGFest are that it’s only once a year & stuck in one location. And those qripes have been quite founded, as they’ve been true up to this point.

…UNTIL NOW.

Just in case your mind is currently TOO ASPLODY to comprehend what’s happening here, LEMME BREAK IT DOWN FOR YA!! ;D

Starting February 3rd – this coming Sunday night!!! – MAGFest will OFFICIALLY be presenting its first in a series of concerts at the Red7 in Austin, Texas!! For a mere $10 in advance/$12 on the day of, you can snag a ticket to catch this inaugural MAG-tour kickoff, which includes some badass video games, awesome bands, and all in all MAGFESTY GOOD TIMES!! 
Lineup includes the debut of the all(most) new Descendants of Erdrick, Lords of Thunder, Urizen, Megaran, & Dr. Awkward!! If you’re ANYWHERE near this indefinable collection of AMAZEBALLS (and hell, even if you’re not!!), I think you know what you need to do…

GET DAT ASS TO MAGFEST!!!!!

Much \m|♥|m/ as always,
Hoodie

P.S. Want a little additional motivation to go to this MAG-show and/or any others that may come near you? MAGFest will be judging the response of these shows to scout out potential locations for a full fledged additional MAGFest at some point in the relatively near future.
So yeah. There’s that too. ;)

Redundant linkymajiggers:
Game Over Austin Facebook event
Red7
Tickets
Descendants of Erdrick
Lords of Thunder
Urizen
Megaran
Dr. Awkward