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Tag Archives: MUSIC
Chema64 – Zapotecno
Chiptune’s ‘official’ Mexican exporter, Chema64, has returned with a new collection of tracks spanning four years and four consoles. Released on his own label, 56kbps Records, Chema64’s infectious jams are sure to remind the world that, along with Pulselooper and Chilean Analog, South America should not be underestimated as a producer of chiptune. One thing ‘Zapotecno’ does well is traverse genres. Tracks ‘Machines of Loving Grace’ and ‘Fin del Mundo del Fin’ both contain nods at metal a la 90s VGM faux-thrash (think Duke Nukem 3D’s soundtrack). Elsewhere, album closer, ‘Quetzalli’, has a euphoric Saturday Morning theme tune pop atmosphere, with the accompanying hook-laden melodies lodged within its crevasses. The apex of the release really does come past the mid-point, however, and to be honest if the first four tracks had been cut the five remaining would have created a far more cohesive and powerful statement. The sounds present within ‘Dubtrip’ and ‘Featherblade’ are one of a kind, in fact the horn-like glissando harmonies on the climax of the latter sent goosebumps shooting up my arm. The spaced out atmosphere and throttling basslines of ‘Datavoid’ created a nice chunk of variation, and ‘Quetzalli’ has quite possibly one of the greatest selections of melodies to be released this year. Whilst on the first few listens the sometimes repetitive and often hap-hazard sounding melodies might deter future listens, I would implore you to persevere. Unlike the adrenaline ladled ‘unce’ of most of his contemporaries, Chema64’s real strengths lie in his understated melodic hooks. What on first listens might appear like a jumble of erratic notes will quickly become nine tracks of greatly varying character and undeniable brilliance. So, with the amateurish tones of ‘BROWNWAVE’ and dud melodies in ‘Megameng II’ aside, this release is fantastic. Given the time, ‘Zapotecno’ will likely become a mainstay in your listening repertoire, and such a unique one at that. If this is the level of quality produced elsewhere in South America, the rest of the world should definitely take note.
Grab the release here.
Written by Andrew Kilpatrick for his blog The Waveform Generators.
World 1-2: A Historic Collaboration Between Game Composers and Remixers
We’ve seen a lot of video game remix and tribute projects on this site, but nothing quite like World 1-2. This project is massive, a twenty track album of exceptionally written and produced music. But what really makes this special is the roster, it contains some of the hottest game remixers, and some of the most respected game composers.
With names like Danimal Cannon, Benjamin Briggs and halc next to Manami Matsumae (MegaMan), Keiji Yamagishi (Ninja Gaiden), and grammy-nominated Austin Wintory (Journey), this project is nothing short of epic. World 1-2 is produced and directed by Mohammed Taher of Koopa Soundworks, published by GameChops and licensed by Joypad Records.
World 1-2 is now available! Order on Bandcamp and Loudr!
[ Dimensons ] by Auxcide
I first encountered Auxcide shortly after the initial ChipWIN compilation released last summer (has it really almost been a year already?!?). The chiptune prowess of both his Pxl-Bot compilation submission & debut album “Of Atoms and Stardust” impressed me so much that it garnered one of my earlier Friday Freakout reviews (which I miss the fire out of doing, but no time lately!!). Since then Bryan has continued to further develop and grow his artistry into what I feel is one of the premier voices of modern chipmusic. His latest release [ Dimensions ] also via Pxl-Bot (a stellar team-up imho!) is as strong a proof of this opinion as I could possibly even dream to reference. It is straight-up, no hyperbole whatsoever one of the supernova brightest shining examples of the current chipscene.
Seriously, anyone who listens to this & still honestly thinks chiptune is dead can go f*ck a duck.